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Among the various drama projects I'm working on is Mrs Gucci - a musical about another dysfunctional family business, co-written with Marcos D'Cruze. More at GuccitheMusical.com
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Romeo Trap is perhaps my favourite episode of the BBC1 undercover drama series, In Deep, which I devised and was broadcast for three seasons a decade ago. It recently has had a resurgence of interest, after the DVDs were released three years ago.
Romeo Trap was one of the first dramas (as far as
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After years of development, co-writer Marcos D'Cruze and myself are delighted to announce the launch of Mrs Gucci - a fact based musical about fashion, passion and death. Go to the development site to find out more.
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Apparently you can win a free copy of the second series of In Deep on TV spy: second prize is probably two copies
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Ten years after it was first broadcast, In Deep is out on DVD. I really should have mixed feelings about this. The first series was all over the place. As I explain below, the pilot episode which had got the show commissioned - Darkness on the Edge of Tow which was quite Wire-like in its exploration -
Lenny Henry returns as irreverent police chaplain Jake Thorne
Lenny Henry returns to BBC Radio 4 as irreverent police chaplain Jake Thorne in a new series of Peter Jukes's acclaimed drama Ba
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Here’s one of several other shows I’ve written for Radio, this time about social networking
Soul Motel, Broadcast BBC Radio 4, March 2008
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Some examples of my favourite medium - radio plays - which combine the spontaneity and directness of theatre with the flmic possibilities of edited, recorded sound.
Though I've done dozens of radio plays, they're not stored in Youtube, and therefore require my own webspace to host. There are many I
Displaying items by tag: Policing
The Chief Series 2 and 3
Apart from a series of dramatic sketches on Newsnight during the 1992 election, The Chief was my first broadcast TV. .
I have no idea how many episodes I wrote of these two series, and the quality is probably mixed. Though I'd never, at this point, wanted to write cop shows, The Chief was different thanks to its creator Jeffrey Kane, who taught me how to write pugnacious polticised narrative. The other inspiration was the show's advisor, John Alderson, who had formulated the liberal idea idea of community policing. He taught me that the idea of a constable was not someone with special powers, but merely a citizen nominated by other citizens to protect the community Working with him, getting to read Thomas Paine and understanding some of the long fought battles for individual liberty, was a real education and I created an episode, based on the story of Giovanni Falcone, partly inspired by John's almost saintly quality of probity and kindness.