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Among the various drama projects I'm working on is Mrs Gucci - a musical about another dysfunctional family business, co-written with Marcos D'Cruze. More at GuccitheMusical.com
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Romeo Trap is perhaps my favourite episode of the BBC1 undercover drama series, In Deep, which I devised and was broadcast for three seasons a decade ago. It recently has had a resurgence of interest, after the DVDs were released three years ago.
Romeo Trap was one of the first dramas (as far as
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After years of development, co-writer Marcos D'Cruze and myself are delighted to announce the launch of Mrs Gucci - a fact based musical about fashion, passion and death. Go to the development site to find out more.
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Apparently you can win a free copy of the second series of In Deep on TV spy: second prize is probably two copies
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Ten years after it was first broadcast, In Deep is out on DVD. I really should have mixed feelings about this. The first series was all over the place. As I explain below, the pilot episode which had got the show commissioned - Darkness on the Edge of Tow which was quite Wire-like in its exploration -
Lenny Henry returns as irreverent police chaplain Jake Thorne
Lenny Henry returns to BBC Radio 4 as irreverent police chaplain Jake Thorne in a new series of Peter Jukes's acclaimed drama Ba
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Here’s one of several other shows I’ve written for Radio, this time about social networking
Soul Motel, Broadcast BBC Radio 4, March 2008
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Some examples of my favourite medium - radio plays - which combine the spontaneity and directness of theatre with the flmic possibilities of edited, recorded sound.
Though I've done dozens of radio plays, they're not stored in Youtube, and therefore require my own webspace to host. There are many I
Displaying items by tag: in deep
In Deep Series Two
Apparently you can win a free copy of the second series of In Deep on TV spy: second prize is probably two copies
In Deep Series One released on DVD
Ten years after it was first broadcast, In Deep is out on DVD. I really should have mixed feelings about this. The first series was all over the place. As I explain below, the pilot episode which had got the show commissioned - Darkness on the Edge of Tow which was quite Wire-like in its exploration of the drug economy - was arbitrarily scrapped a few months before production, leaving an impossibly disturbing hard core ep about child abuse in the opening slot.
Manic scramble then ensues to come up with new opening episode within the tight framework, budget and commissioning system... Blue on Blue then ends up being my least favourite episode.
But after that, despite at every point being in danger of being booted from the show, I really began to enjoy it. The two hour framework, though dauntingly long, gave me a chance to have a major thriller story accompanied by a major domestic story, which made it all worthwhile: thriller plus character realism.
This was unified by the role of the mandatory police psychologist both undercover officers had to see. I found this fact in US research on undercover work and thought it a great way of joining deep character issues to the main plot. I'd heard about the Sopranos, and the role of the psychiatrist in the narrative, but hadn't seen any episodes when In Deep was first devised in 1999.